WALLACE  NUTTING 


CATALOG 

(Seventh  Sdition 


WALLACE  NUTTING 

46  PARK  ST.,  FRAMINGHAM,  MASSACHUSETTS 


Copyright,  ig2y,  1^28 
By  Wallace  Nutting 


Page  One 


WALLACE  NUTTING 


g, 


urmture 


LOCATION  OF  STUDIO 

Framingham  is  on  the  Boston  &  Albany,  halfway  from  Worcester  to 
Boston.  Some  express  trains  stop  from  the  West,  and  from  Hartford  and 
New  York. 

There  is  also  railway  connection  by  the  New  Haven  to  Lowell,  Fitch¬ 
burg,  Providence,  and  Cape  Cod. 

The  Studio  is  only  a  block  from  the  station,  north,  at  46  Park  St.  It  is 
also  the  hub  of  six  main  motor  spokes. 


THE  PRODUCTS 

Consist  of  books,  furniture,  pictures,  rugs,  wrought  iron,  bed  nets,  and 
lecture  slides,  these  last  not  for  sale. 


THE  OBJECT 

To  provide  a  class  of  articles  not  elsewhere  obtainable. 

To  be  a  fountain  for  perfect  style  with  careful  work,  largely  by  hand. 

These  objects  have  been  pursued  until  I  can  now 

1.  Furnish  an  entire  house  in  any  period  up  to  1780.  The  oak,  pine, 
and  maple  up  to  1700;  the  pine,  maple,  and  walnut  up  to  1750;  the  ma¬ 
hogany  up  to  the  end  of  the  best  taste. 

2.  Rugs  (hooked)  of  great  size  only,  by  Mariet  G.  Nutting,  are  unique. 

3.  Hardware,  consisting  of  accurate  copies  for  doors  (hinges  and 
latches);  window  fastenings  (casements);  fireplace  utensils  (200  sorts); 
sconces  and  other  lighting  fixtures  (100  sorts). 

4.  Panels,  mantels,  and  door  heads. 

5.  Carving,  elaborate  or  simple. 

6.  Pictures  of  ancient,  quaint,  or  beautiful  themes,  old  world  and  new, 
outdoors  and  in,  castles,  cathedrals,  old  houses,  old  rooms,  landscapes,  all 
in  black  and  white  or  color,  in  any  size  or  shape,  framed  or  unframed. 
Special  attention  to  decorative  architectural  pictures  suitable  for  early 
styles  in  furniture. 

7.  Small  or  seasonal  pictorial  folders,  calendars,  etc.,  for  gifts  in  great 
variety. 

8.  Illustration  of  estates,  the  interleaving  of  illustrations,  enlargements, 
and  coloring  on  order. 

9.  Consultation  with  owners  or  architects  regarding  the  wall  schemes 
of  the  earlier  types. 

10.  Expert  advice  regarding  furnishing  or  decorating  in  the  richest  or 
simplest  manner. 


Page  Two 


11.  Design  and  carrying  out  of  fine  early  schemes  for  furnishing  banks, 
clubs,  hospitals,  offices.  Many  public  rooms  may  be  seen.  The  furniture 
with  my  burned-in  name  is  used  by  banks,  etc.,  as  a  means  of  attracting 
the  public. 

12.  Repair  by  expert  knowledge,  of  antiques. 

13.  The  series  of  lectures  covering  all, periods  of  furniture  and  in¬ 
teriors.  Three  thousand  subjects. 

STYLE 

I  am  informed,  and  can  refer  to  high  authorities  in  support  of  the  state¬ 
ment  that  my  furniture  supplies  the  only  examples  for  very  many  authentic 
styles.  My  sources  of  style  are  unprecedently  large. 

The  finest  secretary  made  in  America  went  from  my  shop.  So  of  high¬ 
boys,  lowboys,  and  other  mahogany  items. 

Windsors  of  utmost  beauty,  wonderfully  constructed,  and  of  widest 
range,  are  here. 

The  earliest  styles  like  oak  cupboards  and  Pilgrim  chairs  were  first  done 
here,  in  reproduction. 

Walnut  chairs  and  cabinet  work  of  the  worthiest  character  and  beauty. 

Over  eighty  styles  in  chairs  are  done;  thirty  in  beds,  sixty  in  tables, 
twenty  in  chests  and  chests  of  drawers,  twenty  in  cupboards,  twenty  in 
desks  and  secretaries. 

Many  small  turned  articles  are  made,  our  turning  is  hand  work,  most 
excellent,  and  work  will  be  done  to  order. 

CONSTRUCTION 

All  cabinet  work  is  hand  fitted  with  deep  mortise  and  tenon,  and  pinned. 
The  work  is  famous  for  its  quality.  Its  styles  are  copied  everywhere,  a 
little  off  shape;  but  its  quality  is  unique. 

Every  bit  of  the  work  from  raw  lumber  to  packed  product  is  done  under 
one  roof. 


FINISH 

The  most  usual  finish  is  that  found  on  old  maple,  pine,  and  oak;  it  is 
called  amber. 

Walnut  is  finished  naturally,  approaching  old  walnut. 

Mahogany  is  done  in  the  brown,  rather  than  the  reddish  tone,  agreeing 
with  the  Chippendale  period. 

Special  finishes  in  any  appropriate  color  at  the  same  rate,  but  sometimes 
subject  to  greater  delay. 

Maple  chairs  may  be  done  in  black;  Windsors  in  green  or  black,  and 
both  in  old  red,  yellow  (children’s  especially),  or  Vandyke  brown,  which 
last  is  bad,  however,  and  customers,  when  they  learn  more  of  old  types, 
usually  repent  the  doing  of  maple  or  pine  in  tasteless  imitation  of  ma¬ 
hogany.  That  erroneous  notion  is  going  out. 


Page  Three 


Furniture  will  be  high  lighted  on  request,  but  contrary  to  advice.  Under 
no  circumstances  will  new  woodwork  be  worn  down.  I  am  proud  of  the 
work  and  would  no  more  think  of  doing  such  a  thing  than  would  an 
eighteenth-century  maker.  My  work  has  often  sold  at  auction  at  advanced 
prices. 

Behind  this  work  is  the  research  of  a  generation,  the  material  of  several 
thousand  antiques,  and  the  pictures  or  drawn  scales,  and  the  fullest  pub¬ 
lished  works  in  America.  “The  Furniture  Treasury,”  two  volumes,  1500 
pages,  5000  pictures,  now  nearing  completion,  will,  I  venture  to  think,  be 
for  a  long  time  the  basal  reference  work  on  the  subject  of  furniture  in 
America.  Great  expense,  years  of  toil,  fullest  analysis,  in  this  work,  cover 
every  aspect,  including  mirrors  and  clocks,  with  a  completeness  five  times 
exceeding  any  other  work  on  the  theme. 

This  present  catalog  in  your  hands  is  the  richest  ever  issued,  of  new 
correct  furniture. 


UNFINISHED  FURNITURE 

If  necessary,  but  contrary  to  my  advice,  pieces  not  too  large  will  be  sold 
unfinished.  But  such  furniture  is  liable  to  sudden  swelling.  I  do  not  war¬ 
rant  it,  and  do  not  care  to  burn  my  name  on  it.  Large  cabinet  pieces  in 
old  times  nearly  always  checked  or  warped.  Had  they  stood  unfinished, 
the  case  would  have  been  still  worse.  How  seldom  is  an  old  maple  top 
in  good  condition ! 

Seven  coats  of  shallac  or  bees’  wax  is  applied  to  all  table  leaves,  on  both 
sides  alike;  no  work  has  less  than  five  coats,  even  chairs.  The  finish  enters 
largely  into  the  expense.  If  I  am  satisfied  that  an  unfinished  piece  will 
probably  receive  proper  immediate  attention,  it  will  be  sold  at  five  per  cent 
discount,  though  the  cost  of  finishing  approaches  twenty  per  cent.  But 
unfinished  work  is  not  encouraged. 

Varnish  only  on  order.  Oil  finish  where  required. 


AMERICAN  TYPES 

Some  English  designs  are  followed  in  cabinet  and  chair  work,  and 
mirrors.  For  the  most  part  my  furniture  is  American  in  origin,  and  feeling. 


ANTIQUES 

Almost  no  pieces  are  shown,  since  my  collection,  by  the  generosity  of 
Mr.  J.  P.  Morgan,  was  given  to  the  Hartford  Atheneum,  where  it  may  be 
freely  seen.  Any  antique  bought  is  for  copying.  It  is  for  sale. 


TIME  REQUIRED 

Standard  articles  are  usually  in  stock,  in  standard  finish.  A  few,  the 
safer  so  to  treat,  are  reserved  unfinished. 


Page  Four 


The  rarest  pieces  may  or  may  not  be  in  stock.  Usually  two  hundred 
patterns  are  on  my  floors;  the  third  hundred  is  out  or  In  making. 

If  the  matter  is  left  to  me,  the  finest  rooms,  or  entire  dwellings  can  be 
supplied  immediately.  Special  patterns,  unless  they  follow  the  spirit  of 
good  design,  will  not  be  made.  Orders  can  usually  be  executed  for  special 
pieces  in  two  weeks  to  two  months. 


ESTIMATES 

Careful  schemes  furnished,  entirely  worked  out,  and  an  order  of  any 
size  completed,  set  up,  and  warranted,  at  any  reasonable  distance. 


CHANGES  AND  CONDITIONS 

This  book  contains  pictures  of  three  to  four  hundred  articles.  Every 
need  is  cared  for  through  the  Chippendale  period.  But  lack  of  demand  or 
increased  demand  may  cause  discontinuance  of  a  style,  or  additions.  But 
those  objects  shown  are  mostly  classical;  they  do  not  change. 

Prices,  however,  fluctuate;  on  some  articles  found  to  be  made  at  a  loss, 
they  rise;  on  others,  made  In  numbers,  they  decrease.  I  am  not  liable  for 
change  of  price  without  notice,  and  all  previous  catalogs  are  canceled. 


MENTION  THE  EDITION 
In  ordering  head  your  list  “Seventh  Edition,”  please. 


CONTENTS 


Beds,  pages  50—54 
Benches,  pages  18,  19 
Bookcases,  see  dressers  and  sec¬ 
retaries 

Boxes,  pages  55,  57 
Brasses,  page  78 
Chairs,  pages  5-17 
Chests,  pages  55-57 
Chest-on-chest,  page  64 
Chests-of-drawers,  pages  58-65 
Clocks,  page  49 
Cupboards,  pages  65-74 
Day  Bed,  page  54 
Desks  and  Secretaries,  pages 
40-45 

Doorhead  and  Panels,  page  79 


Dressers,  pages  68—72 
Hat  Racks,  pages  10,  72 
Highboys,  pages  60-62 
Iron,  pages  25,  56,  67-77 
Looking  Glasses,  pages  46-48 
Lowboys,  page  39 
Pictures,  page  80 
Rugs,  pages  27,  36,  42,  44 
Screen,  page  1 5 
Settees,  pages  21-24 
Shelves,  page  73 
Sideboard,  page  36 
Signs,  page  63 

Stands,  pages  25,  31,  34,  35 
Stools,  pages  18—20 
Tables,  pages  25—39 


Page  Five 


41  I  BREWSTER,  MAPLE,  46^  HIGH 


360 


CROMWELLIAN,  39  HIGH 


364  CARVER  SIDE,  45  HIGH 


464  CARVER  ARM,  MAPLE,  47  HIGH 


Page  Six 


394  WALNUT  SIDE,  46  HIGH  494  WALNUT  ARM,  22  WIDE 


Paffe  Seven 


490  MAPLE,  50  HIGH 


390  MAPLE,  50  HIGH 


492  FOUR  BACK,  44>^  X  23>^  392 


FOUR  BACK,  SIDE,  44  HIGH 


Page  Eight 


430 


CORNER,  MAPLE,  24>4  X  32^ 


491 

491  MAPLE,  53  HIGH 


jy  i 


391  MAPLE,  53  HIGH 


Page  Nine 


480  MAPLE,  50  HIGH  380  MAPLE,  50  HIGH 


329  SWIVEL,  40  X  18  X  16% 


365  WILD  ROSE,  45  HIGH 


Page  Ten 


2  10 


201 


205 


209 


Page  Eleven 


420  BOW  BACK,  41  HIGH  3OI  3  9  H  I  G  H 


415  COMB  BACK,  45  HIGH 


326 


41  HIGH 


Page  Twelve 


401  LADY^S,  40  HIGH  407  LIGHT  BACK,  44  HIGH 

408  BOW  BACK,  41  HIGH 


402  LADY^S,  46  HIGH 


333  44  high 


Page  Thirteen 


421  49  HIGH 


422  47  HIGH 


Page  Fourteen 


398  WALNUT,  40^  X  19^  X  15^4 


498  WALNUT,  40 >4  X  2  I  >4  X  I  7 >4 


358  MAHOGANY,  37  >4  X  21^4  X  l8  ^ 


458  MAHOGANY,  37^4  X  23  X  1 8^ 


Page  Fifteen 


627  MAHOGANY,  46  HIGH  465  WALNUT,  FINE,  48  X  3 1  ^  X  2 5 

SCREEN,  I  8  >4  X  1514 


356  xMAHOGANY,  39  X  23  4^  X  17 


456  xMAHOGANY,  39  X  25  X  1844 


Page  Sixteen 


359  CARVED,  SIDE,  459  ARM 
362  PLAIN,  SIDE,  462  ARM 


496  CHIP.  CORNER,  33  >4  X  28,  OR 
KNEE  CARVING  OMITTED 


399  RAMPED  BACK,  SIDE 
499  RAMPED  BACK,  ARM 


357  ALL  CARVED  (457  ARM) 
MADE  TO  ORDER  ONLY 


Page  Seventeen 


404  baby's  high 
202  baby's  low 


484  PENSHURST,  37  X  22  X  2 1  >4  495  TIP  AND  TURN  (nOT  OLD  STYLE) 


Page  Eighteen 


162  (in  front)  72  X  18  X  14  LONG  FORMS  i63(bEHIND)  IOOX  18x14 


290  ALL  MAPLE,  18x18x38 


Page  Nineteen 


165  JOINT,  15  HIGH,  TOP,  12  X  14  166  RUSH,  15  HIGH,  I5  SQUARE 


102  high  IOI  8  HIGH  I27  9^4  HIGH 


155  8  HIGH  107  8  HIGH  no  8  HIGH 


153  8  HIGH 


292  4^  HIGH 


157  9J^  HIGH 


Page  Twenty 


169  3OHIGH  168  22HIGH  167  iSHIGH 


171  JACOBEAN  STOOL,  JOX  I4X  I4 


173  PINE  TRESTLE  STOOL,  18  X  I4  X  65 


Pag>e  Twenty-one 


591  TRIPLE  FIVE  BACK,  50  HIGH,  63  LONG 
Dignity,  Style,  Beauty,  Strength,  for  Public  Rooms 


590  DOUBLE  FIVE  BACK,  50  HIGH,  44  LONG 


Page  Twenty-two 


564  MAPLE  LOVE  SEAT,  18  X  47 

The  most  beautiful  known  Windsor  settees  in  twin  chair  forms  are  shown  on 

this  page.  Rolled  back 


Page  Twenty-three 


515  TRIPLE  BOW  BACK  TEN  LEGGER,  18  X  89 


Page  Twenty-four 


514  LOW  BACK  TEN  LEGGER,  18  X  89 


545  COMB  BACK  TEN  LEGGER,  89  LONG 


Page  Twenty-five 


A  SEVENTEENTH  CENTURY  DINING  ROOM 


18x28 


18  HIGH 


25x14 


I-I5  WISH  BONE  SPRING  LATCH,  7  X 


2 


Page  Twenty-six 


Page  Twenty-seven 


AN  ALL  CURLY  BED  ROOM.  RUG,  7x9  FEET,  BY  MRS.  NUTTING 


615  TRESTLE,  ALL  MAPLE,  30  X  50,  OR  30  X  60 
These  tables  are  used  in  pairs,  tandem  or  in  span 


THIS  BRAND  MUST  APPEAR  ON  ALL  MY  FURNITURE 


Page  Twenty-eight 


60I  BRACKET  REFECTORY,  OAK,  30  X  30  X  90 


610  OAK  OR  PINE,  30  X  30  X  72 
612  30  X  120 


61 1  30  X  30  X  108 

BASES  IN  MAPLE 


617  PINE  VASE  TRESTLE,  A  SWEDISH  TYPE,  30  X  37  X  86 


I 

I 

1 

I  Page  Twenty-nine 


655  MAPLE,  2634  HIGH,  TOP  24^4  X  31 


I 


MAPLE,  27^ 


HIGH 


613 


PINE  TOP  36 


X 


Page  Thirty 


660  MAPLE,  PINE  TOP,  24  X  36  X  26^ 
The  oldest  type  of  tavern  table 


626  MAPLE,  DRESSING,  28  HIGH,  TOP  31^  X  21^ 
Made  also  in  walnut.  Trumpet  turned 


Page  Thirty-one 


6l6  28  HIGH,  TOP  25x35  653  24  HIGH,  21  DIAM. 


18 


25x12 


614  27  HIGH,  PINE  TOP  19  X  3O 


Page  Thirty-two 


603  SOLID  MAPLE,  29^  HIGH,  TOP  44  X  52 

(Wide  overhang  all  around) 


619  SOLID  MAPLE,  28  HIGH,  TOP  2  ^  ^  4I 

The  most  beautiful  of  tables  —  a  crane  bracket 


Page  Thirty-three 


636  SUPREME  GATE  LEG,  30  X  72  X  78,  MAPLE  OR  WALNUT 
The  proper  table  for  a  great  dining  or  directors’  room 


621  MAPLE,  LIGHT  FOUR  GATE,  30  X  48  X  59 

622  SAME,  HEAVIER  TURNING,  30  X  60  X  7O 
631  SAME  AS  622,  BUT  WITH  ONLY  TWO  GATES 


Page  Thirty-four 


620  SPANISH  FOOT  GATE  LEG,  48  X  59.  MAPLE,  WALNUT  TO  ORDER 
632  SAME,  PLAIN  FOOT,  48  X  59.  USUALLY  MAPLE,  WALNUT  OPTIONAL 


696  CURLY,  18  DIAM.,  24^  HIGH 


606  CURLY  TOP,  34>4  X  iy/2 


Page  Thirty-five 


623  25  HIGH,  TOP  29  X  36  624  26y2  HIGH,  TOP  30  X  40 

All  butterfly  tables  are  all  solid  maple 


MAPLE,  36  HIGH 


Page  Thirty-six 


A  ROOM  IN  QUEEN  ANNE  TYPE.  RUG  BY  MRS.  NUTTING 


698  WALNUT  CARVED  SIDEBOARD,  32^  HIGH,  TOP  22  X  42 
667  SAME  STYLE  BUT  66  INCHES  LONG,  EARLY  FINE  STYLE 


I^age  Thirty-seven 


637  MAPLE,  30  X  30  X  50,  ROOM  FOR  KNEES 


659  MAHOGANY,  FLUTED  LEGS,  48  SQUARE 


MAHOGANY 
NO.  628 
28  HIGH 


SCROLLED 
PEMBROKE 
36  SQUARE 


Page  Thirty-eight 


693  MAHOGANY,  33  DIAM.  OTHER  694  WALNUT,  33  DIAM.  DISH  TOP, 

SCROLLS  OPTIONAL.  SIZE  GIVEN  FOR  ALSO  PLAIN.  MADE  ALSO  SMALLER 

BEST  STYLE 


680  MAHOGANY,  THREE,  FOUR,  OR  FIVE  PART,  48  WIDE,  LENGTH  FROM 
138  TO  240  INCHES.  MADE  WITH  OR  WITHOUT  CARVED  KNEE.  EACH 

LEAF  A  SINGLE  HEAVY  BOARD 


Page  Thirty-nine 


691  MAPLE  LOWBOY,  29  >4  X  39  X  20^4 
689  LOWBOY  MATCHING  HIGHBOY,  PAGE  6 1 


692  SAVERY  SCHOOL,  29^^x34x20 


Page  Forty 


702  EARLIEST  DESK,  OAK,  30  WIDE,  30^  HIGH 


Page  Forty-one 


'ts;  <■» 


731  CURLY  OR  PLAIN  SECRETARY,  80  X  39>^  X  20 
730  SAME,  LOWER  PART  ONLY,  PLAIN  OR  CURLY 


■rnfm 


Page  Forty-two 


734  MAHOGANY,  44  X  39^4  X  24.  SEE  OPPOSITE  PAGE 


AN  OFFICE,  WITH  GREAT  HOOKED  RUG  BY  MRS.  NUTTING 


1 


Page  Forty-three 


733 


X  2  4 


Page  Forty-four 


729  MAHOGANY  DESK,  39^  HIGH,  FRAME  36  X  19 


AN  OFFICE,  WITH  GREAT  PEACOCK  AND  FLORAL  RUG 
BY  MARIET  G.  NUTTING 


Page  Forty-five 


727  CURLY  MAPLE,  40  X  26  X  18  70O  OAK  OR  MAPLE,  33  X  25  X  19 

Desk  727  has  black  legs  and  finial.  Door  carved  from  solid 


747  OAK  CHEST  DESK,  TOP  BUILT  UP,  36  X  66 

748  ADAPTED  FOR  TYPEWRITER;  749  SINGLE  TIER  OF  DRAWERS 


Page  Forty-six 


751  WALNUT,  2  2>^  X  42 
GLASS,  14^  X  2y/[ 


750  OAK,  24j/<  X  36 
GLASS,  I5>2  X23^ 


755  WALNUT,  16  X  42 
LOWER  GLASS,  X  23  >4 


754  MAPLE,  19  X  34 
GLASS,  I3><  X  21^ 


Page  Forty-seven 


764  MAHOGANY,  20  X  42^ 
GLASS,  13^  X  23)4 


760  CURLY,  GLASS,  17^  X  34^ 
QUEEN  ANNE  TYPE 


761  MAPLE,  GOLD  FEATHER,  763  WALNUT  AND  GOLD,  32  X  13^4 

3454  X  17,  GLASS,  I  I  }4  X  20%  GLASS,  IO%  X  l6% 


Page  Forty-eight 


757  MAHOGANY  AND  GOLD,  69  HIGH,  34  WIDE 
GLASS,  35  X  22.  ALL  CARVED,  NO  COMPOSIIION 


Paffe  Forty-nine 


961  BANJO,  MAHOGANY  AND  GOLD 
SIMON  WILLARD  TYPE 
962  THE  SAME  WITH  BRACKET 

This  banjo  is  hand  made.  The  brass  is 
hand  hammered  in  the  ancient  manner,  to 
secure  hardness  and  uniform  texture.  All 
the  filings  and  fittings  are  done  by  hand. 
The  S.  Willard  escapement  is  used.  The 
clock  supplies  the  need  of  something  far 
better  than  the  commercial  type.  It  is  a 
copy  of  a  clock  once  owned  by  me. 


0<=>0 


960  This  clock  follows  a  type  ear¬ 
lier  than  the  fret  work  top,  though 

that  will  be  supplied  as  No.  963 

The  door  will  be  made  unless  otherwise 
ordered,  with  block  and  shell,  like  those  on 
page  43.  The  finest  workmanship,  carved 
by  hand.  Best  brass  works.  The  quarter 
columns  are  carved  in  one  piece.  Height 
about  seven  and  a  half  feet.  Urns  of  wood 
with  spiral  flame  as  a  option. 


960  BLOCK  FRONT,  MAHOGANY 


Page  Fifty 


isaiiSRaamiK-jj^, 


iaKiSS!!®''* 


'wni'f'ifi'-saainsR. 


iaaosK'is*®'’ 


•HifmtiaJHS 


813 


MAPLE,  DOUBLE  OR 


I 

SINGLE 


844  CURLY,  DOUBLE  OR  SINGLE,  76^/2  HIGH 


1 


Page  Fifty-one 


ii 

I 


840  MAHOGANY,  82  HIGH 
BEST  CHIPPENDALE  SCHOOL 


845  WALNUT,  76  HIGH 
QUEEN  ANNE  TYPE 


834  N.  Y.  BED,  71  X  26  X  30.  849  SAME,  42  HIGH,  REGULAR  BED  SIZES 


Page  Fifty-two 


846  MAPLE  OR  MAHOGANY,  ANY  SIZE,  66^  HIGH,  OR  WITH  TESTER 


839  PLAIN  MAPLE,  3  X  55^  HIGH 
839A  POSTS,  2^  X  45 


81  I  OAK  OR  MAPLE 
ALL  STYLES  DOUBLE  BEDS,  60  X  82 


Page  Fifty-three 


838 

46 


824  826  831 
76  87  56 


842  827  CARVED,  MAPLE,  82  HIGH,  82  LONG 

53  HIGH 


814  MAPLE,  HEAD  AND  FOOT  DETACHABLE,  HEAD  46  HIGH 
This  piece  is  adapted.  Made  39  x  82  only 


Page  Fifty- four 


812  BREWSTER,  56  HIGH,  AN  ANCIENT  PATTERN 


825  MAPLE,  23  X  70,  HEAD  30  HIGH 
828  MADE  IN  THE  STYLE  OF  CHAIRS  TOP  OF  PAGE  9 


Page  Fifty- five 


931  OAK,  SUNFLOWER  CHEST,  20  X  42  X  483^  HIGH 

This  fine  type,  all  originals  of  which  were  made  in  or  near  Hartford  probably, 
is  a  remarkable  example;  matches  court  cupboard  on  page  67.  Ornaments  black; 

also  channel  molds 


901  OAK,  10  X  27  X  17,  SPACE  FOR  INITIALS 


Page  Fifty-six 


935  OAK,  HADLEY  CHEST,  SPACE  FOR  INITIALS,  48  WIDE,  46  HIGH 


1-25  I  GOOSE  HEAD 


1-249  CONE  HEAD 


Page  Fifty-seven 


937  OAK,  39  WIDE,  42  HIGH 


Page  Fifty-eight 


900  BIBLE  BOX,  9x17x25,  OAK 
These  boxes  are  miniature  chests  and  are  not  only  convenient  and  portable,  but 
decorative  in  the  highest  degree.  The  lid  and  base  are  pine 


936  PANELED,  QUARTERED  OAK,  4O  WIDE,  42  HIGH 
958  SAME  WITH  APPLIED  SPINDLE  DECORATION 


Page  Fifty-nine 


916  MAPLE,  PLAIN  OR  CURLY,  37  HIGH,  TOP  38  X  1 9 


941  MAHOGANY,  QUARTER  COLUMN,  37  X  38  X  I9 


Page  Sixty 


Page  Sixty-one 


Page  Sixty-two 


991  MAPLE  HIGHBOY,  BASE  35x34x16 
TOP  AS  DESIRED,  BUT  USUALLY  78  HIGH 


Page  Sixty-three 


175  SIGN,  LETTERED,  36  X  24 


920  CHEST-ON-FRAME,  34  X  28  X  1 9 


Page  Sixty-four 


1 000  CHEST-ON-CHEST,  GODDARD  TYPE, 
8l  TO  90  HIGH,  41  WIDE,  21^  DEEP 


Page  Sixty-five 


918  BLOCK  FRONT,  MAHOGANY,  30  HIGH,  TOP  35  X  20 


999  WALNUT,  WITH  TRUMPET  914  PINE,  CORNER,  72  HIGH,  40  WIDE 
LEGS,  SEE  PAGE  30  All  cupboards  have  inside  button 

61  54  X  38  54  X  22 


Page  Sixty -six 


910  SUDBURY  CUPBOARD,  OAK  22>4x  54x55 
The  finest  and  earliest  American  cupboard,  inlay  walnut  and  maple 


1-8  O 


1-8  I 


1-8  2 


1-8  3 


I-I  o 


Page  Sixty-seven 


Page  Sixty-eight 


1-8  1-6 1 


1-77 

1-78 


2  LIGHT 
4  LIGHT 


1-62 


1-9 


Page  Sixty-nine 


942  PINE  DRESSER,  75  HIGH,  50  WIDE,  18^4  DEEP 


1-236 


1-2  20 


1-2  2  I 


1-22  I A 


1-22  IB 


Page  Seventy 


T 


926  PIN  3  9  II  I  G  II 


923  PINE,  73  H  I  G  H,  3  7  W  I  D  E 


1-242  1-244  1-246  1-248 

1-245  1-247 


1-240 


1-243 


I-24I 


Page  Seventy-one 


925  CARVED,  PINE,  94  TO  99  HIGH,  48  WIDE 

Adapted  for  side  or  corner 

i 


Page  Seventy-two 


CUPBOARD  OPPOSITE 
DOOR  MAY  BE  OMITTED 


927  PINE,  72  1-4  X  37  X  18 

928  SAME,  72  1/4  X49X  18 


40  HAT  RACK,  DIAM.  20^ 


1-282  SKEWER  HOLDER 


Page  Seventy-three 


906  PINE,  19  WIDE,  30  HIGH  9O7  PINE,  36  WIDE,  43  HIGH 


1-2  5  5 


1-2  5  7 


1-2  5  6 


Page  Seventy-four 


929  PINE,  ARCHED  GLASS 


Page  Seventy-five 


I- 1  1-2  1-3  1-4  1-5  1-6  1-7 

Plates  only  are  shown.  All  latches  supplied  with  five  parts 


1-263,  1-259,  1-268,  1-269,  1-258 


1-72  TIN  CHANDELIER,  SPREAD  23, 
HEIGHT  24 


Page  Seventy-six 


zo  - - - - - - -57" - - - -n 


Most  of  the  hinges  are  made  in  sizes  to  order  as  well  as  in  sizes  indicated 


Page  Seventy-seven 


The  articles  above  are  in  wrought  iron.  The  sizes  may  be  estimated  from  the 
long  top  bolt,  its  dimension  being  given.  Besides  the  iron  illustrated  in  this  cata¬ 
log  I  make  a  great  variety  of  other  articles  and  will  make  anything  to  order.  In 
ordering  iron  please  prefix  a  capital  I  as  above  to  every  number,  to  avoid  confu¬ 
sion  with  the  furniture.  The  latch  bars  are  sent  with  latches  in  appropriate  styles. 


I  449 


I  4T> 


Page  Seventy-eight 


HANDMADE  AND  FILED  BRASSES,  CAREFULLY  BEVELED  EDGES 

OTHER  SIZES  SUPPLIED 
All  my  furniture  is  supplied  with  these. 


Page  Seventy-nine 


998  CONNECTICUT  DOOR  AND  DOORHEAD 

997  SQUARE  PANEL  DOOR  AND  PINEAPPLE  URN 


Page  Eighty 


J 


MOUNTED  OR  PLAIN,  GRAY  (SEE  BELOW) 


THOUSANDS  OF  INTERIOR  AND  EXTERIOR,  8  X  10  OR  II  X  1 4 


THE  UNIVERSITY  PRESS.  CAMBRIDGE.  MASS. 


PRINTED  IN  U.S.A 


